David McCallum _ Projects!

• • 2013
  • Critters _ Installation
  • 221, 321, 543 _ Weaving
  • Satin and houndstooth software _ Software
• • 2012
  • Looking Up _ Net Art
• • 2011
  • Powers of Satin _ Textile
• • 2010
  • Neighbourhoodie _ Wearable
• • 2009
  • Knitted studies _ Knit
  • Singing Underwear Workshop _ Workshop
  • Frogr _ Wearables prototype
  • Sounding Space _ Public Art Installation
• • 2008
  • Sign Me a Space _ Installation
  • Harper _ Knit
  • Push _ Music
  • Light Play _ Installation
  • Auld Lang Syne 2008 _ Installation
  • I/O Media _ Group
• • 2007
  • Warbike _ Mobile artwork
  • Palimpsest _ Installation
  • Asteroid B612 _ Video
  • i swallow _ Performance
  • Arse Feck _ Net art
  • Auld Lang Syne 2007 _ Installation
• • 2006
  • Interview with Stelarc _ print
  • Geeks don't know it's psychogeography _ print
  • Cricket Farm _ Installation/performance
• • 2005
  • Your Network is Mine _ Performance
  • Big Like Me _ Webcam Film
  • Dear Diary, Dear World _ Net art
  • Attack of the PANTs _ Workshop
  • You Say Potatoe, I Say Potato _ Performance
  • Hugs _ Group
  • Re _ Group
• • 2004
  • mcfalcon-l _ Group
  • Flexing Swine _ Group
  • Drinking Box _ Group
  • Leark _ Group
• • 2003
  • Bench _ Video
  • Bon Appetit! _ Video
  • A Trip to the Zoo _ Film
  • Deconstructing Evil _ Video
  • Experimental Music at the Grad Club _ Event series
  • The United Empire Loyalist Orchestra _ Group
• • 2002
  • The Immediacy Group _ Group
  • O Canada: Three Hours in One and One-half Minute _ Music
  • MIDI Bear _ Toy
  • The Lumber Dog Trio _ Group

221, 321, 543

2013

Type

Weaving

Keywords

houndstooth, textiles, generative

Entities

Carte Blanche

Showing

School of Photography, Gothenburg 2013

Three woven pieces derived from the classic houndstooth pattern and a typewritten text discussing materiality. Each pattern was created by modifying the twill instructions using custom software.

Shown at the event Carte Blanche in Gothenburg. All pieces were shredded at the end of the evening. 221, 321, 543 was the only physical piece submitted to the journal, and was also shredded.